Ursula Le Guin
Posté : mar. oct. 11, 2016 2:40 am
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This second volume in a definitive two-volume edition gathers Le Guin’s final two Hainish novels, The Word for World Is Forest, in which Earth enslaves another planet to strip its natural resources, and The Telling, the harrowing story of a society which has suppressed its own cultural heritage. Rounding out the volume are seven short stories and the story suite Five Ways to Forgiveness, published here in full for the first time. The endpapers feature a full-color chart of the known worlds of Hainish descent.
In 2010, at the age of 81, the acclaimed novelist Ursula K. Le Guin started a blog. Blogs never seemed a likely destination for the writer, who by then had a long career in 20th-century traditional publishing behind her. But Le Guin’s new book, No Time To Spare, which harvests a representative sample of her blog posts, feels like the surprising and satisfying culmination to a career in other literary forms.
Beauty always has rules. It’s a game. I resent the beauty game when I see it controlled by people who grab fortunes from it and don’t care who they hurt. I hate it when I see it making people so self-dissatisfied that they starve and deform and poison themselves. Most of the time I just play the game myself in a very small way, buying a new lipstick, feeling happy about a pretty new silk shirt.
Vivement qu'on puisse le voir...PierrePaul a écrit :Ursula Le Guin aura eu le temps de visionner un prémontage du documentaire qui lui est consacré et qui sortira en première mondiale au mois de juin, à l'occasion d'un festival.
En voici la bande-annonce officielle : https://www.youtube.com/watch?v=AqH3nqX ... ture=share
J'ai arrêté...trop d'imagination!Jean24 a écrit :J'ai acheté "La main gauche de la nuit". Peut-on le lire indépendamment des autres livres du cycle?
When read and considered as a whole, Le Guin’s Hainish Cycle feels like an even more impressive accomplishment than its stellar individual works. Not because of any internal consistency, or an over-arching storyline—you’ll have to look elsewhere for those things—but because of how far she takes the notion of an alliance of worlds interacting with baffling, layered, deeply complex cultures and trying to forge further connections with them. I’m barely scratching the surface here when it comes to all the wealth that’s contained in these books, gathered together.